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ronald johnson essay A mosaic of Cosmos: Bricolage in Ronald Johnson's ARK. I wanted [The Ramparts] to be constructed in a way so that I could get a source anywhere, from any source whatsoever, a word spoken, a word read, a sight, whatever, so that I could make a mosaic out of it. Begun in the 1970s and top custom essays vimeo transparent finished in the early 90s, Ronald Johnson's ARK is a significant, if somewhat overlooked, contribution to the American modernist canon. ARK consists of three booksThe Foundations, The Spires, and term on lasers The Rampartseach of which is comprised of thirty-three poems. A complete edition was published in 1996 by Gus Blaisdell's The Living Batch Press. Logo Transparent. Drawing extensively on contemporary science and American Transcendentalism, ARK is, above all, a cosmological poem that posits and celebrates world and mind as cosmosas an ordered or harmonious whole. Johnson's sense of cosmos in ARK pertinently echoes the ideas expressed by the depth-psychologist James Hillman in abstracts international herald, his essay Alchemical Blue.
According to Hillman: The world is as we see it in our dreams and ukulele vimeo logo poems, visions and paintings, a world that is truly a cosmos, cosmetically adorned, an aesthetic event for the senses because they have become instruments of imagining. [ii] Like Hillman, ARK posits the world as an cheap applications cryptography aesthetic event for the senses whose multifarious phenomena provide the eclectic instruments of imagining which offer insight and revelation about the nature and top custom vimeo mysteries of the universe. Cosmos as an aesthetic event: as adornment, embellishment, and arrangement. The cosmetic implications of online applications of modern cryptography cosmology become evident when we begin to examine the ways in which Johnson maps his own cosmographies in ARK . What I want to discuss today are the ways in which Johnson uses a poetics based on bricolagewhich denotes the eclectic practice of top custom essays vimeo logo transparent making new objects out of found materialto create, what he calls in ARK 99, a mosaic of Cosmos. [iii] For, throughout ARK 's 99 poems Johnson tessellates and cements a range of subjects and abstracts herald ca themesnatural history, biology, physics, light, vision, the essays ukulele vimeo mind, art, literature, music, myth and the numinous, along with the truncated shards of personal historyinto his ambitious cosmology. Like the Transcendentalists before him, Johnson is essentially a world-builder presenting, in buy essay online cryptography, the form of ARK , a vision of how the external world interacts and corresponds with the interior regions of the mind. Furthermore, Johnson's recourse to Transcendentalist inspired cosmography in ARK and the bricolage poetics he uses to build his visions, indicates a growing ambivalence about the American modernist tradition as Johnson's mosaic of Cosmos tacitly revises and questions dominant modernist ideas concerning history and individual experience. Johnson's ambivalence about the American modernist tradition is evident in the Note he appends to the complete edition of ARK . In it Johnson tentatively situates ARK within a Poundian heritage: To spend twenty odd years writing a poem, undeterred by risks and shipwrecks of those before, would seem sheer folly.
They stand before me, great obstacles. Pound, only a long afternoon in top custom vimeo logo, Venice, waving his cane farewell in sparkling background the canal he associated with the writing of paper with A Lume Spento . . Top Custom Essays Mike Vimeo. .W.C.W. maybe a half-dozen visits to Rutherford, when a student at Columbia, rife with sparky theories for the American vernacular. . . More closely, Zukofsky and Olson, braving new schemes for languagethe Minimalist and paper the Maximussuch opposing poles of influence: parities (ARK: A Note). Like Bunting in On the Fly-Leaf of Pound's Cantos Johnson sees these modernist forbears as obstacles that have to top custom essays logo transparent be confronted if one is to get beyond them. However, after establishing this Poundian tradition, Johnson then distances himself from it by asserting his own maverick spirit: But I knew I'd my own tack to take. If my confreres wanted to write a work with all history in its maw, I wished, from the beginning, to start all over again, attempting to know nothing but a will to create, and matter at hand (ARK: A Note). This attempt to start all over again and know nothing, puts ARK at opposite poles to The Cantos and Pound's attempt to retrieve a European culture that he believes has gone to Hell. As Pound remarks to Donald Hall in 1967: If I am being crucified for an ideathat is, the coherent idea around which my muddles accumulatedit is probably the idea that European culture ought to papers online cheap quantitative methods unit survive, that the essays ukulele mike logo best qualities of it ought to paper thesis survive along with whatever other cultures in essays mike, whatever universality. [iv]
Where Pound is retrospective in The Cantos , keen to buy essay cheap applications retain the best qualities of a European culture in decline, Johnson's scope in ARK is wide-eyed, contingent, and prospective. Top Custom Mike Vimeo Logo. Yet, Johnson's attempt to know nothing and buy research papers unit 1 db start from scratch is not wilful ignorance but, rather, an idealistic innocence that recalls the ukulele Adamic, New World, optimism of nineteenth century Transcendentalism, particularly Emerson's desire in Nature to enjoy an original relation with the universe. Paper Topics With. [v] Johnson's claim that ARK is composed surreptitiously from top custom essays ukulele what comes to buy research online quantitative methods and analysis 1 db hand also reveals his strong affinities with bricolage. This mode of ukulele logo transparent praxis defines numerous activities and crafts: from the assemblage art of Kurt Schwitters and Jess to dissertation international ca numerous forms of folk and outsider art: in particular, memory-jugs and visionary or vernacular art environments such as Le Facteur Cheval's Ideal Palace in France. Claude Lévi-Strauss in The Savage Mind defines the bricoleur as someone who works with his hands and uses devious means compared to top custom ukulele transparent those of a craftsman. He emphasises that, the rules of the [bricoleur's] game are always to make do with 'whatever is at hand,' that is to say with a set of tools and materials which is Research paper with always finite and is also heterogeneous. [vi] The bricoleur tends to utilise the worthless discards and by-products of essays ukulele mike vimeo transparent consumerismglass, ceramics, toys, scrap metaland coarse inexpensive materials such as concrete, rock, and lumber. Paper Topics Thesis. Thus, bricolage is a resourceful praxis borne out of circumstance, stealth, and contingency.
A striking example of bricolage is The Watts Towers, a visionary environment built by the Italian labourer Simon Rodia in essays transparent, Los Angeles. Johnson claims that the buy research papers and analysis unit Towers gave him a new armature of possibilities for his own designs in ukulele mike logo, ARK . Built single-handedly by Rodia over a period of thirty years, the Towers are constructed out of the material he salvaged in and around the Watts district in LA. This material includes broken bottles, ceramics, and shellsall of which Rodia cemented into the brightly elaborate mosaics adorning the Towers' spires, sculptures, walls and arches. It is this kind of praxis that Johnson adopts in ARK . And, while ARK may seem initially to utilise similar principles to Pound's ideogrammic method (i.e., the juxtaposition of luminous details) it is the type of material that Johnson uses and the function it serves that sets ARK apart from poems like The Cantos . For, essentially, b ricolage provides Johnson a way of bypassing the problems he identifies in the modernist long poem. Dissatisfied with the pedagogical agendas implicated in Pound's referencing in cheap, The Cantos , Johnson envisions ARK as a poem that uses quotation pragmatically and innocuously (despite whatever devious means it is acquired).
Quotation is top custom ukulele seen as the raw building material for a poem conceived as the literary equivalent of a vernacular environment. Recalling Goethe's suggestion that architecture is frozen music, Johnson claims that ARK is, Literally an architecture [?] fitted together with shards of language, in a kind of cement of music (ARK: A Note). Buy Essay Online Applications Of Modern Cryptography. And, because of the essays mike vimeo transparent practical nature of quotation in ARK , Johnson is insistent that nowhere does it require arcane learning like The Cantos , Maximus , A , etc. [vii] The notebooks that Johnson kept from the early 1970s through to the early 90s while writing ARK exemplify this pragmatism. Cheap Applications Of Modern Cryptography. These notebooks are spontaneous, sketchy affairs in which literary quotes jostle with material sourced from top custom mike vimeo logo transparent less prestigious, more quotidian, contexts such as fragments of speech copied down from television programmes. In one, from 1986, Johnson scans a phrase from a television advert for Research topics with, odour eaters. Johnson's scansion of the fragment indicates how he is looking at textual material practically: in this particular instance, scanning the fragment's iambs and trochees. Perhaps it was the soft stresses in sneak er and odo ur that caught Johnson's attention, or the vowel rhymes in fer o cious and o dour. Although the essays mike vimeo logo transparent quote isn't actually used in ARK , it does demonstrate Johnson's pragmatic use of cheap 1 db quotation and indicate the way the meaning of a phrase can change when used out of context.
Tame ferocious, for top custom ukulele mike, example, becomes something of an oxymoron if tame is read as an adjective rather than a verb. Johnson's scansion and the syntactic ambiguity that ensues from such truncated quotation illustrates how it is not simply semantic content that he is concerned with, but also the prosodic effects of cheap applications of modern cryptography quotation. Indeed, the distinctive tetrameter in tame ferocious? is ubiquitous in top custom essays transparent, many of ARK 's poems. Similar practices are implemented throughout ARK . Of Divorced Parents. In ARK 60, Fireworks I , for top custom ukulele mike transparent, exampleincluded on your handoutJohnson quotes from one of Abraham Lincoln's Messages to Congress. Will light us down. to the latest generation vast smithy spray. scribe sky, spark clay. In its original context, Lincoln's message, delivered to Congress on December 1 st 1862, reads: The fiery trial through which we pass will light us; in honour or dishonour, down to the latest generation. Research Paper Topics Thesis. The quote refers to Lincoln's concluding remarks concerning the ideals of the Union, and his speculations about the top custom logo way those ideals will be perceived by the rest of the term paper on lasers world, and history at large. By excising the moral subtext of essays ukulele vimeo transparent Lincoln's phrasein honour or dishonourJohnson manipulates the quote to fit the context of international ca a fireworks display.
The solemn urgency of Lincoln's speech is radically diffused, so that the hazardous fiery trial of a political ideal becomes, instead, a fiery display of pyrotechnics, perhaps, as part of top custom essays vimeo Independence Day celebrations. Thus, the lines Will light us down / to the latest generation now suggests the momentary illumination of a night sky filled with exploding fireworks which ignite to day. This reading of the Lincoln quote is reinforced by the new context in which it is put to work as Johnson likens the exuberant display of exploding fireworks to the scintillating sparks of a smith's anvil. But Lincoln also transfigures the fireworks into something far more revelatory, even apocalyptic. For, Lincoln evokes the figure of Adam, who appears throughout ARK , as the first human. Significantly, as Adam Kadmon in Jewish Kabbalah, this figure represents the papers online cheap methods and analysis unit 1 db first configuration of divine light. [ix] Thus, as well as suggesting a golemthe animated creature in Jewish folklore made from clayJohnson's phrase spark clay, also evokes Adam; who likewise is formed from the earth.
In this respect, Lincoln's words latest generation pertinently echo the generations of Adam enumerated in Genesis . Furthermore, the top custom essays ukulele mike logo awe and wonder that the fireworks elicit not only become analogous for international herald, the kind of top custom essays mike wonder witnessed by Adamthe first humanbut also imply that we all still retain something of that prelapsarian light within us. Thus, the spectator finds themselves, to quote Johnson in ARK 61: back in the Garden / no Fall before. With that Adamic light continuing to illuminate us down / to the latest generation, Johnson proposes that it is still possible 'To do as Adam did' and behold the world with wonder, as if for the first time. Indeed, bricolage encourages us to read ARK with innocent Adamic eyes. In contrast to Pound in The Cantos or Olson in Maximus , Johnson places little emphasis on the provenance of his quoted material. Papers Online And Analysis Unit 1 Db. The contextural properties of quotation (the effect it has on top custom vimeo logo transparent the poem's surface texture and buy research quantitative and analysis unit 1 db sound) are more important in ARK than its contextual properties; the intertextual and referential significance they might afford the poem. Johnson may very well be making an assumption about Lincoln as an American Adam, who, in top custom ukulele transparent, his Message to Congress urged his country to think anew, and act anew.
However, in order to understand this section from ARK 60 Johnson does not imply that we need to school ourselves in Lincoln in order to elucidate the poem. Rather, we read Lincoln in paper, the new, scintillating light of Johnson's poem. This apparently na?ve approach to quotation has significant implications for Johnson's reassessment of the modernist long poem and ARK 's cosmographies. Essentially, Johnson's Adamic imperatives in ARK stem from his desire to essays ukulele vimeo logo write a major long poem that, in contrast to his modernist predecessors, is herald without history. Misattributing to Olson Pound's remark that an epic is a poem containing history, Johnson asserts his own approach to top custom essays vimeo transparent history in his interview with Peter O'Leary. Olson said that an epic is a poem with history. Zukofsky put a lot of contemporary history and Marxist politics into his poem.
William Carlos Williams had a topography, a history of all of the people around him, you know, kind of a Whitman, he was a new Whitman. But I thought that ARK would be like the Watts Towers, like the dissertation abstracts herald ca Ideal Palace of the Facteur Cheval. I wanted it to be without history, that it was constructed of things in my time. It's just filled with snippets: things from books, things on television. When there was a good nature program on, sometimes I got a Rampart or two [l aughs ]. Top Custom Mike Vimeo. I keep my ears open and my eyes open and when I see or hear something I write it down in my notebook. Abstracts Herald. [x] But can a poem constructed largely out of found material be innocent of history? Levi-Strauss notes with regard to the bricoleur's materials that the possibilities always remain limited by the particular history of each piece and by those of vimeo logo its features which are already determined by the use for which it was originally intended or the modifications it has undergone for term, other purposes. Top Custom Essays Ukulele Vimeo Logo. [xi] In other words, the bricoleur's material retains traces of its prior history despite the new uses it is put to. For an artist like Rodia whose bricolage asserts a spirit of individuality against the homogenising effects of late-twentieth consumerism, this is something of a paradox. Writing on of Divorced the Watts Towers, Roger Cardinal remarks that: The surrounding wall is high enough to dismiss the outer world from one's consciousness making the site a kind of enclosed concrete garden which nourishes the sense of wonderment and refuses the ordinariness of its suburban context. [xii] But, Rodia's Towers do not entirely dismiss the outer world or completely refuse their surrounding suburban context.
Rather, Rodia reuses those ordinary contexts by exploiting the by-products of a society that his Towers defiantly transcend. Rather than being mere escapism, Rodia's Towers transfigure and essays mike transform their material, redeeming the worthless matter of term American consumerism into the creative gold of a compelling counter vision. Thus, in their recycling of such worthless matter, the Towers assume a regenerative, even redemptive, quality. As Erika Dross writes with regard to vernacular environments, creative difference challenges the presence and authority, the predictability, of the nation's cultural mainstream. Yet, it also enlivens it, reshaping and regeneratingreinventingAmerican culture, and America itself. [xiii] Johnson's use of quotation in essays ukulele mike transparent, ARK follows a similar principle of transmutation and redemption.
Quoting what appears to be Jacob Boehme in ARK 98, Johnson writes: frome byss to abyss. all elements transfigured, give voice to prophecy. But what exactly is japanese in control it that is top custom mike logo transparent transfigured in ARK and what does it prophesy? Despite his claims to the contrary, Johnson's poem does in fact contain history, even if he doesn't acknowledge it as such. However, ARK is not interested in the books, arms / And men of unusual genius which occupy The Cantos . International Herald. [xiv] Rather, ARK 's idea of history is closer in spirit to top custom essays ukulele mike vimeo logo transparent the democratic vistas of Whitman and what Emerson, in buy research papers quantitative and analysis, The American Scholar, calls the near, the common, the low (N 101). I ask not for the great, the essays mike vimeo logo remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Proven?al minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the term paper on lasers low. Give me insight into essays ukulele vimeo logo transparent, to-day, and term paper on lasers you may have the antique and future worlds. Transparent. [xv] Indeed, Emerson provides a useful vantage point for understanding the An Essay Children Parents prophetic and cosmological aspirations of ukulele vimeo ARK . Of Modern. Throughout his first series of Essays , Emerson repeatedly asserts that prophecy arises from the top custom logo quotidian and vernacular and encourages us to heed the present, this thought, this hour, this connection of events. Dissertation Herald Ca. [xvi] To press this point, Emerson claims in top custom ukulele mike logo transparent, his essay History that there is no history, only biography: The world exists for the education of each man. There is Research paper with no age or state of society or mode of action in history to which there is top custom ukulele vimeo not somewhat a corresponding in papers online cheap methods, his life. Everything tends in a wonderful manner to abbreviate itself and top custom vimeo logo yield its own virtue to him.
He should see that he can live all history in his own person. [xvii] It is An Essay on American Children Parents not egotism that Emerson proposes when he talks of individual experience but a larger ontologythe universal mindof which, he says, each individual man is one more incarnation and nothing less than the miniature paraphrase of the hundred volumes of the mike logo transparent Universal History. [xviii] In any individual's life, Emerson writes in on American Parents, Intellect, the greatest part is incalculable by him, unforeseen, unimaginable, and must be, until he can take himself up by the ears. Top Custom Essays Mike Vimeo Logo Transparent. [xix] Thus, for Emerson, history is an papers cheap impertinence and an injury if it be any thing more than a cheerful apologue or parable of my being and becoming. [xx] Anything that distracts or obstructs the ukulele vimeo logo transparent individual from verifying the facts of history in their own private experience distorts history and prevents the individual from truly knowing themselves as a portion of a greater ontological reality; as an integral part of a wider cosmology. To conclude, in ARK it is a matter of how one perceives and values the ordinary as the portentous facts of the extraordinary. As Thoreauthe very cornerstone of ARK writes in his Journal : The question is not what you look atbut how you look whether you see. An Essay. [xxi] And, for Johnson, how one sees can change the world: The artist or scientist or philosopher sets out to find something new in the world so the world will never be the same again, what Emily Dickinson calls: a certain slant of light. [xxii] ARK 's visionary bricolage repeatedly casts transfiguring slants of light on the old world, encouraging its readers to re-engage with the bright and wonderful things found therein and see, however momentarily, the wonder and ukulele logo transparent splendour of paper a new world.
What Emerson writes in Self-Reliance stands as a fitting motto for top custom logo transparent, Johnson in ARK and all the bricoleur's who have realised their creative visions in the discards of a society they seek to buy essay online applications resist: Abide in the simple and logo transparent noble regions of thy life, obey thy heart, and thou shalt reproduce the Foreworld again. [xxiii] [i] Ronald Johnson interview with Peter O'Leary, 1995 in Joel Bettridge and Eric Murphy Selinger, eds. Ronald Johnson: Life and Works (Orono, Maine: The National Poetry Foundation, 2008), 564. [ii] James Hillman, Alchemical Blue and the Unio Mentalis, Sulfur: A Literary TriQuarterly of the Whole Art (1981). Reprinted online: pantheatre.free.fr/pages/writings_ blue _gb.rtf. [iii] Ronald Johnson, ARK (Albuquerque: Living Batch Press, 1996), np. [iv] Ezra Pound interviewed by Donald Hall (The Art of Poetry No.5) Paris Review 28 (Summer/Fall 1962), 28. Online: http://www.theparisreview.org/media/4598_POUND.pdf. [v] Ralph Waldo Emerson, Nature and Selected Writing s, ed. Papers Quantitative Methods And Analysis Unit 1 Db. Larzer Ziff (Harmondsworth: Penguin, 2003), 35. [vi] Claude Lévi-Strauss, The Savage Mind (London: Widenfield and ukulele vimeo logo Nicholson, 1966), 16-17.
[vii] Ronald Johnson, undated letter (typescript). Courtesy of the Literary Estate of Ronald Johnson. [viii] Ronald Johnson, Arches Notebook c. 1986. Japanese. Courtesy of the Literary Estate of Ronald Johnson. [ix] Gershom Scholem, Major Trends in top custom ukulele transparent, Jewish Mysticism (New York: Schoken Books, 1974), 265. [x] Ronald Johnson interview with Peter O'Leary, 563. [xii] Roger Cardinal, Outsider Art (London: Studio Vista, 1972), 172. [xiii] Erika Dross, Wandering the Old Weird America: Poetic Musings and Pilgrimage Perspectives on Vernacular Art Environments in Leslie Umberger, ed., Sublime Spaces and Visionary Worlds: Built Environments of Vernacular Artists (New York and Sheboygan, Wisconsin: Princeton Architectural Press and John Michael Kohler Arts Center, 2008), 29-31. [xiv] Ezra Pound, The Cantos (London: Faber and Faber, 1997), 51. [xv] Emerson, Nature and Selected Writings , 102. [xvi] Ralph Waldo Emerson, Essays: First and An Essay Children Second Series (London: J .M Dent, 1938), 181.
[xvii] Emerson, Nature and Selected Writings , 152. [xx] Emerson, Nature and Selected Essays , 189. [xxi] Henry David Thoreau, A Year in Thoreau's Journal , ed. Top Custom Vimeo. H. Daniel Peck (Harmondsworth: Penguin, 1995), 147. [xxii] Ronald Johnson, Notebook c.1995.
Courtesy of the paper online in control Literary Estate of Ronald Johnson. [xxiii] Emerson, Nature and Selected Essays , 199.
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